Showing posts with label Secretariat. Show all posts
Showing posts with label Secretariat. Show all posts

Saturday, February 5, 2011

Santa Anita Morning

Today was the presentation of the first Secretariat Vox Populi Award given to Zenyatta's owners.  Not surprisingly, the promise of getting Penny Chenery's autograph beat out spending the morning working at the old house.  I got up and headed over to Santa Anita Racetrack this morning, beating my friends Erin and Kay by more than half an hour, even though I got off the freeway at the wrong exit.  I got there before the gates opened, so I spent the time in line, talking to a nice man who gave me a ticket for free admission to the park.

When the gates finally opened, I headed over to the line for purchasing the poster of Secretariat and Zenyatta.  I was well ahead of where Kay, Erin, and Erin's sister Maureen were able to join it.  We decided that one of them could come and join me without too much trouble, but three would be a problem.  Kay came up to me and I greeted her with "so you found the restroom?"  Nobody made any objections, so I had someone to talk to for the hour we had to wait.

Eventually, Penny Chenery and Team Zenyatta arrived to applause.  The line weaved around the barriers and I was lucky enough to get a few good photographs.  I'm glad I decided to use the SLR rather than the point and shoot.
Zenyatta's owner Jerry Moss, jockey Mike Smith, and trainer John Shirreffs.
 Scretariat's owner, Penny Chenery, with Zenyatta owner Ann Moss.  Note Ann's "Z" pin.
 Jockey Mike Smith signing the lithograph portrait of Zenyatta.
Penny Chenery got out of a golf cart and walked to the signing tent.  Someone said "isn't that great that she's walking." I said "she's 87 or 88, she isn't dead."  When I saw the movie Secretariat, I pointed her out to Len in the Belmont Stakes shot.  I have no idea how I knew what she would look like almost 40 years after I saw her in the winner's circle on TV, but there was no mistaking her.
 Dottie Shirreffs writes the entries for Zenyatta's on-line diary, which I enjoy reading. 
 The very beautiful Ann Moss.
 Jerry Moss.
Kay watches John Shirreffs autograph the poster of Secretariat and Zenyatta.
Kay picks up her posters. We were lucky to be able to buy two each, so Erin and Maureen could have copies. They were in position to be able to buy them, but the autographing would have ended before they got to the tent.

I decided not to stay until the sixth race for the actual ceremony, figuring I'll be able to catch it on line somewhere and have a better view of it that way.  But I had to stop at the gift store before I left--Santa Anita has a great gift shop.
I noticed copies of Secretariat's Meadow and then I realized someone was signing books--Penny Chenery's daughter Kate.  I was suddenly very happy that I hadn't ordered the book from Amazon.
Kate Chenery Tweedy signed my copy of Secretariat's Meadow.  She described herself to another customer as "I'm Penny's rebellious hippie daughter Kate."  It must be funny to think of yourself as immortalized that way on film, but she definitely had a sense of humor about it.  Another customer pulled out a photograph of his horse--a descendant of Big Red.  Kate said they're encouraging people to send photographs of Secretariat's progeny for a website.  That will be worth checking out.

I also picked up a tee-shirt like the ones that the gift store staff were wearing:
I like the reverse as well:

Secretariat and Zenyatta are definitely racing royalty.  Watching them run is something I will never forget.  My poster is now ready for hanging.

Wednesday, October 6, 2010

Secretariat

I was a year out of college when Big Red won the Triple Crown.  I remember watching the Belmont race in my Aunt Babe's basement on Long Island with family members.  It was amazing.  He was amazing.  The money shot that ran all over the world of his jockey looking backwards to see where the hell the other horses were in a 31 length blow out said it all.

We went to a screening of Disney's version of the Secretariat story last night. As many have suggested, the film  might better be called "Penny," because the movie is mostly about this extraordinary woman's role in creating one of the finest equine athletes of all time.  Penny Chenery took over the operation of her father's thoroughbred breeding farm in 1968, made the decision to breed two of their mares to Bold Ruler (one of the changes you'll see in the film to heighten tensions in the film was changing the timing of when she took over the farm shows the decision was her father's and puts her into a coin-flip that was actually his), and produced both Riva Ridge (not even mentioned in the film) and Secretariat.

I really enjoyed the film, because it does a real good job of showing how difficult things could be for a smart woman back in the late 1960s.  Penny had a degree from Smith and attended Columbia University's business school, but gave up her own aspirations for marriage and family until her father became ill.  She clearly had the training and the background to run the farm, but she gets a lot of "nice girl" pats on the head before people realize that she's a steel magnolia.

The screening audience had a huge range of attendees, from small children to octogenarians, and lots of horse people.

Watching the film, it became clear to me that Zenyatta has the same kind of effect that a Secretariat or Seabiscuit had on the public.  I firmly believe that these horses are/were self-aware.  They know/knew what they were doing, know/knew what the fuss was about, and are/were having a great time putting on a show.

I went to both of Zenyatta's "Farewell Appearances" late last year, so I've seen her in the flesh, but I couldn't bring myself to watch her actually race.  Her style would give me a heart attack in person.  I wait until the races are put on-line to watch her go from the back of the pack and destroy the souls of horses who think they are going to win.  Here on the West Coast we've been treated to the kind of disdain that happened with Seabiscuit back during the Depression--because she is a California horse, somehow Zenyatta's 19-0 record isn't really much to talk about according to the East Coast racing writers.  Are they crazy?  Or are they just snobs?

I recommend going to see Secretariat and then having a good time finding actual footage of his Triple Crown wins on-line.  Then I'd suggest watching footage of Zenyatta (the video shot from Mike Smith's helmet during training is amazing) and see what she does in the Breeders' Cup in November.  She's brought Secretariat level excitement back to racing.

Friday, March 28, 2008

Birthday Boy

Every day is improved with a visit to my horse. He's always glad to see me and I can hear him nickering as soon as I get out of my car. He is definitely the best birthday present I ever got, even if I had to buy him for myself. It is never too late to have a happy childhood.

Ace will be 11 years old on Sunday (I just saw somewhere that was also the great Secretariat's birthday--almost 30 years earlier.) He was born with Comet Hale-Bopp in the sky and and a matching one on his forehead. Hence his registered name, Auspicious Comet. Ace comes from the initials A.C., not shorthand for the drug. I heard about his birth shortly after he arrived. He wasn't the bay mare my friend Melinda hoped for (Ace's sister Phaedra would fulfill that wish exactly two years to the day later) but he turned out to have good confirmation and a great personality. Everybody loved Ace, the horse who would rather hang around people than eat.

At the time he was born, there wasn't the slightest clue that he'd eventually come to own me. I hadn't been on a horse in over 20 years, I'd never taken lessons to ride, and I had never spent that much time around them. My grandfather never delivered on his many promises to buy my sister and me a pony (and not just because my mother wouldn't have allowed it, I'm sure.)

I got regular updates about this beautiful colt from Melinda every time we spoke. When he was a year old, I took a trip out to New Mexico for the Nebula (R) Awards Ceremony and stayed at Melinda's for a few days. In retrospect, it was probably love at first sight, even if he did try to take a chunk out of my shirt and shoulder when Melinda and I weren't paying enough attention to him out in the barn one day. I've never seen anyone react faster than Melinda did in disciplining him--he never knew what hit him and he's never tried that again.

I signed up for riding lessons that fall, but I had to put if off for a year when I broke a bone in my foot walking to my car. That's why you should be careful of cracks in the sidewalk. Len and I had originally talked about taking lessons together, but just before we were to start, he wound up in the hospital and I haven't been able to convince him to give it a try. His reaction is that he likes to know where he is on the food chain and is of the conviction that the horse is higher. I think that may be a self-fulfilling prophesy.

When Ace went under saddle sometime after his third birthday, Melinda and I started joking about me owning him someday. I think at the time she expected to campaign him as she had his mother, a lovely mare with an imperial bearing named Flames Sirocco, called Rocky or sometimes the Ayatolla of Rock 'n' Rolla for her temper. (Her sire, Bask Flame, seems to have had a reputation for that kind of hot-headedness. Ace's sire, Padron's Mahogany, apparently throws his own famous sire's much more mellow personality.) As it happened, Melinda was moving on to warmbloods to compete at higher levels of dressage where Arabians are not favored in the ring and she had finally gotten a bay mare out of Rocky's second breeding to Mahogany. Our conversations about where the gelding would end up became a little more pointed.

I paid a visit to New Mexico again in the spring of 2001 to see how Ace and I got along. At four, he was really too young a horse for as inexperienced a rider as I was, but we definitely bonded. I gave Melinda a down payment and came home to find a place for him to live.

My husband was totally against the idea of horse ownership, but I think Marv Wolfman said to him, "if she can afford the horse out of her own money, what's your problem?" I was in the middle of a big case for Harlan Ellison, and Ace is often referred to as "the pony that Uncle Harlan bought." I had to go to New Mexico to take depositions on the case at the end of June, whereupon we concluded the sale and Ace got on a transport the day after I flew home. He arrived the next day, unhappy about losing his family but glad to see a face he recognized when he looked out the door of the transport. He managed to gouge his flank in his panic to get off the bus.

It took a while for him to get used to the idea of being where he didn't know anyone. He kept calling out for voices that never answered. (When Melinda's Hanovarian Steppe arrived at Pierce for a brief stay about three years later, the two geldings were undeniably excited to see each other--it was a family reunion for them.) I've noticed that he's never become a "Siamese twin" with another horse, but he seems to get along with most other horses pretty well. The only other time he's had a difficult transition to a move was when we left Pierce--he settled down when two of his barn mates showed up a few days later. But the two moves since then have been uneventful. He seems to be just fine as long as I'm attentive--and I'm very attentive. He likes to flirt with other women, like my trainer Gayle or her assistant Ashley or Gina who does the evening feeding at the barn. Even Zsuzsu, who owned Ace's turnout buddy Otero at our last barn, fell for his charms and felt that she had to treat him with lots of carrots whenever she gave them to her own horses (I did reciprocate and Ace would be annoyed--it was as if he knew those could be his carrots.) He is definitely a woman's horse, but I will say that he's got plenty of respect for Harry Whitney, who has schooled him on several occasions.

I've had several people say to me that Ace is a "once in a lifetime horse" and I have to agree. He's all personality and art in motion when he moves. My friend Teddy noticed he bears a striking resemblance to the George Stubbs painting of Whistlejacket, the grandson of "The King of the Wind" Godolphin Arabian, although Ace has more chrome. Even other horses stop to watch him in action, as if they too know he is something special.